Art has many ways, just as mother nature never stops surprising us with her capricious designs. The creativity of man knows no boundaries and a good example of that is the work of Catalan genius, Antoni Gaudi. In this image, the staircase at Casa Mila also known as La Pedrera is just a staircase, a beautiful one in fact, but the handrail, oh, the wrought iron handrail is so profuse in impossible adornments, so elaborate, that it is difficult not to surrender to this architect's divine talent. Not that complex motifs were invented by him, since we have Baroque for that, but the new approach, the use of natural elements like leaves, conceived with such uncanny mathematical precision, sometimes quite hard to translate from his mind into the final piece, makes these architectural jewels unique.
Showing posts with label art nouveau. Show all posts
Showing posts with label art nouveau. Show all posts
Modernist Building, Rambla Catalunya 61 next to Arago St.
Newly restored modernist building on the corner of Rambla Catalunya and Carrer Arago. Located exactly at Rambla Catalunya 61 this apartment building with offices to rent (I have seen one with 150 square meters advertised for 2500 EUR/month!) immediately grabs our attention for that interesting combination of undulated balconies, exuberant ironwork and glass covered galleries. I think you should examine this Eixample quarter Art Nouveau gem closer in Google street view: Modernist House Rambla Catalunya 61.
Casa Batlló: Masked Balconies
To stay in Barcelona without visiting Casa Batlló is like being in Paris and forget about the Eiffel tower, with all due respect to Sagrada Familia and Sacre Coeur respectively. The famous house designed by Gaudi is so, let's say, 'different' that tiptoeing her is almost a sacrilege. Besides the exquisite trencadis (shattered tiles) on the façade, the balconies are like carnival masks, concealed faces watching upon passersby. The whole building has more to do with patterns we usually find in nature than with man's rationale, like the peculiar contours of the roof that simulate some sort of scaly skin as that of a lizard or a snake, or why not, a dragon, or the impossible arches and oval windows in the lower floors deprived of everything that recalls a straight line. I tried to apply some symmetry at the moment of framing the picture but it was certainly pretty hard. Here is another image I took a long time ago right next to the building wall to make it look more dramatic and a small post.
Modernist Lamp, Casa Amatller, Barcelona
This is a detail of one of the art nouveau style lamps at Casa Amatller on Passeig de Gracia, Barcelona. Of course the original is more beautiful but I hope this is enough teaser for you to visit the famous house and take a good look at it. More about Casa Amatller in this previous post: Casa Amatller Modernist Stained Glass Ceiling
Gaudi's Army of Chimneys on La Pedrera, Barcelona
Hi everyone,
This is Barcelona Photoblog's first post in 2011. I hope this year brings the best for all of you. Without your presence here this blog would mean nothing and I really appreciate you take the time to read me. What is more representative of Barcelona than Gaudi's works? To say the truth, few things. That's why, I want to salute the second decade of this XXI century with more chimneys from La Pedrera aka Casa Mila.
All the best,
Carlos Lorenzo
La Pedrera: The Gaudinian Mastery of Geometry
Antoni Gaudi, a genius of architecture and superlative artist dominated geometry like few others. In modern times he would certainly be working in the video game industry as a designer creating 3D virtual worlds with due respect to the obvious differences of course. This is the roof of renown Casa Mila, which is, together with Casa Batllo and Sagrada Familia, one of the best samples of Gaudinian creative and geometry aware imagination. In black and white the lines are more evident as in some sort of charcoal sketch. Many more pictures, coming soon.
Note: FNAC Wishlist (Local contest for Spanish bloggers )
Any blogger posting a wishlist that amounts 2011 EUR or less on FNAC products before Dec 31st may win 2011 EUR. So here are the products I would ask Santa to bring me from FNAC and maybe you could ask him too:
Sony Kit 46HX800 3D + PS3 + Gafas + Emisor + GT5 1 849 €
Sony DVPFX750B DVD Portátil de 7" 139 €
Sunset Park. Paul Auster 17,58 €
Total amount = 2005,58 €
Note: FNAC Wishlist (Local contest for Spanish bloggers )
Any blogger posting a wishlist that amounts 2011 EUR or less on FNAC products before Dec 31st may win 2011 EUR. So here are the products I would ask Santa to bring me from FNAC and maybe you could ask him too:
Sony Kit 46HX800 3D + PS3 + Gafas + Emisor + GT5 1 849 €
Sony DVPFX750B DVD Portátil de 7" 139 €
Sunset Park. Paul Auster 17,58 €
Total amount = 2005,58 €
Antoni Tapies Foundation, Arago Street 255, Barcelona
Weird places well deserve weird, psychedelic approaches. I have walked past this building a thousand times and a thousand times I haven't been able to take a decent picture. First because you have to stand on the opposite sidewalk of carrer Aragó which is a very wide street, second because it is wedged in between two awful buildings and last but not least because those wires on top, which were conceived by Antoni Tàpies himself do break all the harmony of lines with the beautiful Art Nouveau façade by architect Lluís Domènech i Montaner. So I thought, what the heck, I've got to give this a colorful touch. The result expresses not awe as in awesome, but rather as in aw...ful. I realize I am committing sacrilege here by trying to judge the artwork on the roof and the awkward appearance of an artistic sanctuary as it is Fundació Tàpies. In fact it is a magnificent building constructed between 1880 and 1885, one of the earliest samples of Art Nouveau in this part of the city, that breaks up with traditional 19th century eclecticism, introducing elements like iron and exposed brick, the latter evidencing clear Muslim influences. The place held the Montaner i Simon publishing house up to 1981, the most important in its field for decades (120 years of history) that became Antoni Tapies Foundation in 1990, acquiring category of historical monument in 1997. But what to say about Antoni Tàpies i Puig (he will be 87 next December 13, 2010), the incommensurable Catalan painter, sculptor and lithographer besides the fact I don't like the Cloud and Chair, 1990 sculpture on top of the building, well you better find out reading his biography at the official site: Antoni Tàpies Biography (Fundació Antoni Tàpies)
Detail of Casa Lleó Morera at Passeig de Gracia 35, Barcelona, Spain
This is a detail of the small turret on top of Casa Lleó-Morera at Passeig de Gràcia 35. The modernist house by Lluís Domènech i Montaner is part of the renown Illa de la Discordia (Block of Discord) called this way due to the clash of different styles between three famous houses in the block. The other two are Casa Amatller at Passeig de Gràcia 41 designed by Josep Puig i Cadafalch and Casa Batlló at Passeig de Gràcia 43 designed by Antoni Gaudí. The building is located on the corner of Consell de Cent and Passeig de Gracia and was originally constructed in 1864 and renovated in 1902. When you come to Barcelona it would be almost a crime not to visit this Manzana de la Discordia. For those that are less interested in art and more in going shopping, there's a Loewe shop in the ground floor.
Casa Mila: A Whole Lotta Door
Caught in the spiderweb of art I fell I had to show you the door from within. Check the outside here. A whole lot of ironwork for a door, a huge smashing blow to all former architectural styles, the opening gates to the land of impossible things. Ladies and gentlemen, welcome to La Pedrera and the imagination of Antoni Gaudi.
Art Nouveau Lamp at Casa Mila or La Pedrera
This impressive art nouveau lamp that reminds me of some ancient diver's helmet or the head of a dragonfly with a little more imagination, hangs from the ceiling in the hall of La Pedrera or Casa Mila, built by Gaudi between 1906 and 1910. Brothers Badia were the iron forgers so I assume they had to do with this lamp but so far I haven't been able to find out who designed such beauty. You can find a thumbnail of La Pedrera on my Google Map below.
Barcelona Trees: Horse Chestnut or Conker Flowers
Aesculus hippocastanum or common horse chestnut can be seen in some parks of Barcelona so I thought you might like the image of its flowers. These I shot in Bellaterra in early spring. I suppose it must have yielded the characteristic spiny conkers by now. From the seeds of this tree a substance called saponin aescin is extracted and used for health purposes like treating varicose veins, edema, sprains. This constituent strengthens the blood vessels and prevents thrombosis. It has haemolytic properties and is recommended as an astringent and circulatory tonic. The extracts from horse chestnut are used to treat cellulitis. So you see, the beautiful tree and its flowers are not just an adornment. Talking about adornment. Did you know that the leaves of horse chestnut trees are a common pattern in art nouveau architecture? Well, follow this fantastic link and you'll find out more about the use of nature in the Art Nouveau decoration.
Holy Water Font or Basin Made With Shell, Colonia Guell's Crypt, Barcelona, Spain
Stationary fonts like this are placed at the entrance to churches as you all know but I am sure you never saw a holy water font made with an enormous shell nor have you seen perhaps such wonderful ironwork pedicle. Nothing is common and ordinary when you enter Gaudi's crypt at Colonia Guell. The place has columns, altar, stain glass and pews as any other church but you have to be prepared to digest the degree of variation of the holy elements. A church was supposed to be on top of the crypt, as the latter was part of a bigger project which started in 1908. In 1917 one year after Gaudi's art patron and friend, Eusebi Guell, died, the work was finally stopped. As you can guess foundations are very solid. Columns are made of basaltic rock and different kinds of bricks. The ceiling is vaulted in the most traditional gothic style. Every arch, every pillar, was precisely calculated with small sacks full of pellets which were tied to the ceiling in Gaudi's workshop by means of small pieces of cloth and string making up what is known as a stereostatic model. The weight of every sack was proportional to the load every arch element had to hold. But everything here is hard to imagine without visiting Colonia Güell of course. By the way, there were some posts in Barcelona Photoblog some time ago that might help: Caprice Supreme of Architecture, Modernist Door and Mosaic, Futurist Windows and Stained Glass
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